Feature Image: The first Harvard class photographs, a collection of 1852 daguerreotypes and custom storage case in the collection at the Houghton Library, Harvard University. © Jeremy Rowe

Over 130 collectors, dealers, curators and museum and library professionals came to Boston for the 36th Daguerreian Society Symposium & Photo Fair at the Boston Park Plaza Hotel September 28 – 31. Participants came from China, South America, Germany, England, Canada, and across America for the four-day event.

Thursday provided opportunities for behind-the-scenes tours for attendees, hosted by:

·       Harvard Art Museums
·       Harvard Library: Harvard University Archives, Harvard Theatre Collection, and Harrison D. Horblit Collection of Early Photography at Houghton Library
·       Boston Athenæum
·       Museum of Fine Arts, Boston

The day ended with an opening reception for Symposium attendees at the Museum of Fine Arts, Boston.


On Friday,
the Symposium hosted a series of lectures at the Alfond Auditorium at the Museum of Fine Arts, Boston. Presentations included:

The American Art-Union and the Daguerreotype, presented by photo historian, dealer, and collector Carlos Vertanessian. © Jeremy Rowe

Professor Charles Avery: The Man at the Nexus of Central New York’s Daguerreian Craze presented by photo historian, dealer and collector Erin Waters. © Jeremy Rowe

The Sea and the Soul: The Maritime Experience in 19th-Century American Photo, presented by art historian and collector Jane Turano-Thompson.

Daguerreotypes at Harvard presented by Elena Bulat, Paul M. Weissman and Harriet L. Weissman Senior Photograph Conservator, Weissman Preservation Center, Harvard Library, and Tatiana Cole, Associate Conservator of Photographs, Harvard Art Museums. © Jeremy Rowe

A History of the Boston Box presented by scholars and collectors Peter H. Schultz and Barbara W. Schultz. © Jeremy Rowe

Charles Nègre’s Photogravures: Observations Drawn from Works in Collection of the Museum of Fine Arts, Boston, presented by Anne Havinga, Estrellita and Yousuf Karsh Chair of Photography, and Annette Manick, Head of Paper Conservation, Museum of Fine Arts, Boston. © Jeremy Rowe


Friday evening
, collector-dealer Greg French and his wife, Evelyn Tate, hosted a showcase of highlights from Greg’s world-class collection which focuses on early African American portraits and outdoor scenic daguerreotypes.


Saturday
was the trade show, with over 30 international dealers. Collectors, dealers and curators flocked to the show to buy, sell and trade fine 19th
 century photographs.


Formal events wrapped up Saturday evening with a banquet, and fundraising events including a paddle raise, silent auction, and the closing event – a blended live and online auction.

 

The final event was the Daguerreian Society Board meeting.

The Daguerreian Society Board members attending the Symposium – (L to R) Bill Becker, Tim Lindholm, Dave Fondiller, Cindy Motzenbecker, Jeremy Rowe, Jo Ann Kraus, Mike Robinson, Business Manager Diane Filippi, Wes Cowan, Michael Lehr, and Susan Meyer. (Missing are Michelle Delaney are Kevin Canberg). © Carlos Vertanessian


Next year,
the 37th annual symposium will be held in late September or early October (date TBD) at the Museum of Fine Arts, Houston, hosted by the Gus and Lyndall Wortham Curator of Photography, Malcolm Daniel.

 

 

Jeremy Rowe

Jeremy Rowe

Contributing Writer

Jeremy Rowe has collected researched and written about historic photography for over 30 years. His collecting has focused on 19th and early 20th century photographs – ranging from daguerreotypes and cased images to mounted photographs, real photo postcards, and vernacular images with an emphasis on Arizona and the Southwest, Lower Manhattan, and the open-ended category of “images that strike me.”

Jeremy has curated exhibitions and served on the boards of the Daguerreian Society, National Stereoscopic Association, Daniel Nagrin Film, Theater and Dance Foundation, In Focus, and Ephemera Society of America. Jeremy is currently working with the Library of Congress Prints and Photographs to establish a National Stereoscopic Research Collection and Research Fellowship.

Jeremy has written numerous publications about historic photography, including Arizona Photographers 1865 – 1920 a History and Directory, Arizona Real Photo Postcards a History and Portfolio, and Arizona Stereographs 1865- 1930.

Jeremy has three degrees from Arizona State University and is an Emeritus Professor. He is currently a Senior Research Scientist at New York University and travels between New York City and Arizona.

Contact Jeremy

Send A Note